One stereotype that is strongly reinforced in this scene is that of women being always curious in their quest to discover hidden things and unveil family secrets even though it has only been a day since the death of the owner of those objects, namely the father. As they stop, Hajj Bahi asks Karima about the meaning of all this, and claims that she is embarrassing herself. Furthermore, to highlight the political efforts that have been made in the last years it has been seen fit to incorporate a sitting of the parliament to shed light on the political plans that have been issued to ameliorate the image of women in the audiovisual scene. Rhimou asked Bahia what she was doing in there; the latter replied that she was resting. He says that he cannot wait to wed her and have her as his lawful wife. Karima is depicted as a character who defies the conventional values of how men and women treat each other and acts as a guardian of gender equity in her home as well as outside. Hajj Bahi pours tea for Rachid and claims that it has been made by Karima.

Another interesting idea that can be elicited from this scene is the fact that Youssef associate the quality of being a woman to following traditions and obeying the father, as soon as Karima transgresses this norm he symbolically strips her from her womanhood and states that he is unsure whether she is a man or a woman because of her behavior. This goes to show how the series reinforces the idea of women bickering about unimportant children like children which is clearly a misrepresentation of reality. Once more, women are depicted as being deceitful and sycophantic. Images of Women in Bnat Lalla Mennana After complimenting her on her successful last surgery he wishes that he assisted her. The first series is Bnat Lalla Mennana which was elected as a practical example of the traditional way in which women are depicted. The Representation of Women in Moroccan Television. Moments later, their sister Rhimou asked them to put an end to it and not to embarrass them in front of the neighbors.

This series was selected to highlight the situation that women live under after the death of the father and how their mother becomes an alternative source of authority and oppression. The way he leered at her showed a clear sexual interest mnanw otherwise deep affection.

She speaks about the inequality that they suffer from and that men are the only ones who are privileged. Then, Mennana asked them to clean the house, paint it and change the coverings of the guestroom. Their maid who is present at the ceremony asks 26 Dar el Ghezlane, Episode 1 www. In addition to that, epidode male doctor was shown as having the upper hand by having her agree to escort him to a date despite the fact that they have only known each other for a few minutes, this further confirms lla idea that women are easily manipulated by men and this scene in fact reinforces this and portrays sexual harassment as something normalized in the work place and that women are fine with it.

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Khalfi, an amendment in the audio-visual law that will ensure fighting all forms of sexism and discrimination against women in the media. Mnaja, Rachid falls into the trap of this idealized housewife and declares that he prefers mnaba women to Spanish ones just because they are good housewives and excellent cooks.

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Bnat La La Mnana, Episode 1 www. Click here to sign up. This gives the impression that women are living under emotional oppression and consequently are in a sense waiting for the moment in which they would be liberated to experience their romantic escapades freely which is an inaccurate representation of the women because they do not all live under the same circumstances.

The second part of this paper consisted of an analysis of the images of women through two examples of Moroccan series. Moments later, their sister Rhimou asked them to put an end to it and not to embarrass them in front of the neighbors.

They are portrayed as showing one face to people and talking bad about them in their back. The interesting thing in this scene, however, is the wpisode that mother in laws are depicted as having the tendency to use emotions to win their grandchildren over to their sides.

He asks Younes if that is doctor Hanae. Karima also argues that if the women of the village showed solidarity with each other then no one can touch them.

The Representation of Women in Moroccan Television | Zak Boukhriss –

Hajj Bahi tries to fix seroe by saying that she is indeed one of a kind. Images of Women in Dar el Ghezlane 13 Conclusion Her friends are afraid that she might have killed him and she says episoe he deserves it for peeking at them. Hajj blames Hssina, a servant, for not keeping an eye on Karima like he was told. Seriee interesting idea that can be elicited from bnnat scene is the fact that Youssef associate the quality of being a woman to following traditions and obeying the father, as soon setie Karima transgresses this norm he symbolically strips her from her womanhood and states that he is unsure whether she is a man or a woman because of her behavior.

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She checked some of the photos in the album and set it aside, the last item that she found in the box was a letter. Again, Hajj Bahi uses the same techniques to persuade Rachid to marry Karima by praising her cooking abilities even though she did not prepare the tea at all.

Mounia expresses her desire to get married and tells Karima that Rachid has just returned from Spain and that he is downstairs with her father. She then started to tell Rhimou how much she is fond of her out of all her sisters. She wonders aloud and asks Rhimou whether it was a contraband or under warranty.

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Mounia calms him and says that sooner or later Karima will marry and have a house and kids like all other women. She is portrayed as a character that does not shy away from expressing her opinions and demanding her rights in the public sphere even in a community where such a behavior is frowned upon. However, after Karima leaves the room Mounia reverts to her former state which shows how difficult it is to change some mentalities and that sometimes affection can blind people from such egalitarian considerations.

Karima and the other women surprise everyone by shouting anti-men slogans and wearing manly clothes.

He complains that the water ruined his new shoe and Chama says that the shoe does not appear to be a new one at all. Despite harboring deep affection for her late father, his absence now means that the authority of the father is gone and an example of that is the coming of her secret lover, Imad, which would not have been possible if her father was still alive.

He explains that he left his friends and came so as not to leave her alone in her ordeal and she replies by saying that her father is dead and thus she already is alone.

Remember me on this computer. Images of Women in Bnat Lalla Mennana Once more, women are depicted as being deceitful and sycophantic.